Tea With Mussolini
Tea With Mussolini, a film by Franco Zeffirelli
(Romeo and Juliet, The Taming of the Shrew, the Mel Gibson
Hamlet) is I would imagine a fairly fanciful account of
events that occurred in Florence in the 1930's when
young Franco was about 12 years old.
It seems that a group of haughty, older Englishwomen,
known as the Scorpioni, had set up residence in this
beautiful city and had by their manner defied the ever more
powerful and dangerous fascists of the day. They were led
by Benito Mussolini.
One of the women, Lady Hester (Maggie Smith), had
travelled to see Mussolini and had extracted a spurious
promise from him that he would leave the Scorpioni alone
to live in Florence, in fine style, in spite of the
developing war. She had her photograph taken with him and
uses this to bargain with the local brown shirts.
Now this could have been the stuff of fine drama I
suppose but that obviously wasn't the director's intention.
It seems that the stupid old English women abroad are
looked upon with particular benevolence by Zeffirelli,
which might have been in fashion in film some decades ago,
but surely those sort of political blinkers are way out of
date now.
And after all it was women like these greedy,
Colonialist, condescending permanent holiday makers, along
with their Italian counterparts, who brewed the nasty
political stew that allowed fascists like Mussolini to
gain power and cause havoc and misery. These people aren't
the stuff of any comedy other than the black variety.
But what if we forget the political high handedness of
Tea With Mussolini. Are there redeaming features?
A cast which includes Joan Plowright, Judi Dench, Cher,
Maggie Smith and Lily Tomlin must weave some magic and it
does. Plowright takes center stage for much of the film as
a kindly benefactor for the young boy who must have
represented Zeffirelli.
Judi Dench rarely is less than entertaining and does
particularly well as the nutty, dishevelled artist of the
group, in spite of an exceedingly silly script.
Maggie Smith just scowls and and acts stupid. Smith
can do this exceedingly well. Tomlin's well worn face is
fascinating and Cher again shows how good an actress she
is, but the story is full of holes of course.
Simple and dumbly realised plot details let the film
down again and again. Tea With Mussolini has about as much
weight in the film scheme of things as the feather heavy
sandbags the old biddies easily hoist about, supposedly to
protect precious murals.
Florence and San Gimignano, both beautiful cities,
are lovingly portayed and if the politics don't upset you,
they won't for most, then Tea With Mussolini will almost
survive as a fairly competent companion to films like
Mediteranio and half a dozen of the Merchant Ivory films.
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