Gods And Monsters
Gods And Monsters is a rich, perceptive film full of
delights. It above all recognises and revels in the
complicated, shades of grey, people we all are.
Some movies manage to winkle out the wrinkles, most
don't even bother to try. Gods And Monsters slips bitter
sweetly into the human condition.
James Whale was a movie director who's greatest
triumphs were Frankenstein and Bride of Frankenstein which
were made in the mid 1930's. Skip to 1957. Whale (Ian
McKellen) has had a stroke and has been beset with
flashbacks to his younger years.
War time horrors, his films and a love affair he had
with another soldier in the trenches begins to intrude
into his world.
His monsters, particularly Frankenstein's monster
played by Boris Karlof starts to inhabit his waking
dreams. His loved one David, (a God?) stands watching.
James Whale is close to death.
He invites the gardener Clayton (Brendan Fraser) in
and asks him to sit for a portrait. Clayton is homophobic,
working class and at one of life's loose ends.
Whale wants to talk and Clayton, fascinated by the
stories, is pared to listen.
So two complex characters interact, heightened by
terrific performances from McKellen and Fraser as well
as from Academy Award nominated Lynn Redgrave as the
disapproving, loving, long term housekeeper for Whaley.
I'm sure that Judi Dench who won the gong over Lynn
Redgrave agrees that Hanna rather than Dench's Queen
Lizzie should have been honoured.
The photography from Stephen M. Katz is outstanding
as is the music from Carter Burwell. Lolita Davidovitch
as Clayton's girlfriend and Jack Plotnick as the film
buff are memorable.
The direction and screenplay from Bill Condon is
superb. We have here a thought provoking, thoroughly
delightful film.
5 Flys
|