Go
It seems that the Go in films these days is
selfishness, stolen cars, murder and theft; quickly and
deftly squeezed into black comedy. And if you can't cope
well get wasted on Ecstasy, or better still deal some E.
In this world a quick fix sure beats struggle town
as a supermarket check out operator. It's only wrong if
you get caught. The morality of all of this is I suppose
a symptom of the nineties, but lawlessness seems to be
very, very hip these days and that's not good!
You'd have to wonder how much more valent this
type of thinking is going to become as the middle classes
become poorer and more desperate in Australia.
Ronna (a stunning performance from Sarah Polley) needs
the rent fast and decides to deal Ecstasy. Meanwhile
Simon (Desmond Askey) is off to Vegus with his mate
Marcus (Taye Diggs) where they get into strife with the
local thugs.
And Adam and Zack (Scott Wolf and Jay Mohr) are on a
drug sting with questionable cop Burke (William Fitchner).
The three stories develop together and loop back to
meet as the film climaxes. Go is very Pulp Fiction. And
it's nearly as much fun.
Go gets along at a furious pace, is suitably goulish
and is lifted by smart direction and principal photograpy
from Doug Liman (Swingers). The soundtrack is bouncy and
happily not from the same era as Tarantino's Pulp Fiction
- that would have been far too much.
A telepathic cat, the Macarena and a very enthusiastic
policeman are only three elements of a plot that provides
fast paced and clever entertainment.
Go will please many patrons, and a surprising ending
adds an unexpected warm glow to what had been up until
then a veering lawless lunge.
4 UpBeat Flys
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